Sony CineAlta VENICE Extension Unit Realto

Sony CineAlta VENICE Extension Unit Realto
132 110 kr
Artnr: CBK-3610XS
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36x24mm FULL FRAME 6K CMOS sensor compact CineAlta camera records HD/2K/4K/6K on SxS memory plus 16-bit RAW 2K/4K/6K output


Sony VENICE PDF


VENICE is officially unveiled globally on 6th September with events in Europe at Sonys Digital Motion Picture Centre at Pinewood Studios with renowned cinematographer Ed Wild B.S.C., and in the USA at the Cary Grant Theater, Sony Pictures Studios. At both events Sony will also screen footage produced with the new camera, directed by Joseph Kosinski and shot by Academy Award winning cinematographer Claudio Miranda, ASC.


The launch of VENICE demonstrates our strong relationship with filmmakers around the world, and our commitment to developing tools that support directors, DOPs and cinematographers in bringing their vision to the screen as they originally intended it, said Sebastian Leske, Product Marketing Manager, Cinematography, Sony Professional Solutions Europe. We have not only focused on features to deliver the most true to life images, including colour reproduction for natural skin tones. We also thought about the best usability and operability, without compromising on quality. We are looking forward to seeing how VENICE will be used to create Emotion in Every Frame.





Full frame sensor and wide range of lens compatibility to visualise the image of filmmakers


The camera combines a newly developed 36x24mm full-frame sensor and compatibility with a wide range of lenses, including anamorphic, Super 35mm and full-frame PL mount for a greater range of expressive freedom with shallow depth of field. The lens mount can also be changed to handle E-mount lenses for shooting situations that require smaller, lighter, wider and more characteristic lenses. User-selectable areas of the image sensor allow shooting in Super 35 mm 4-perf. Future firmware upgrades are planned to allow the camera to handle 36mm wide 6K resolution. Fast image scan technology minimises the so-called Jello effect.





New colour management system and established workflow for flexible post-production


A new colour management system and wide colour gamut gives users more control and greater freedom to work with images during grading and post-production. VENICE also has more than 15 stops of latitude to handle challenging lighting situations from low-light to harsh sunlight. VENICE can exceed Rec. 2020 colour space. This means the colour range is wider than DCI-P3 and can beautifully reproduce the true colour of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sonys third generation LOG gamma encoding (S-Log3), and Ultra-wide colour space.


VENICE achieves high quality and efficient file-based production through Sonys established 16-bit RAW/X-OCN and XAVC workflows using the portable memory recorder AXS-R7. VENICE is also compatible with current and upcoming hardware accessories for CineAlta cameras (DVF-EL200 Full HD OLED Viewfinder, AXS-R7 recorder, AXS-CR1 and AR1 card reader, AXS and SxS memory cards).


Intuitive design and refined functionality to support smooth on-site operation


VENICE has a fully modular and intuitive design with refined functionality to support smooth and efficient on-site operation. It is the film industry's first camera with a built-in 8-stage glass ND filter system, enabling to reduce the replacement work of the external ND filter and make shooting progress efficient. The camera is designed for easy operation with an intuitive control panel placed on the left and right sides of the cameras. A 24 V power supply input/output and Lemo connector allow use of many standard camera accessories and make use in harsh environments easier.


License options for individual production requirements


With VENICE, Sony is giving users the option to customise their camera by enabling the features needed, matched to their individual production requirements. Optional licenses will be available in permanent, monthly and weekly durations to expand the cameras capabilities with new features including 4K anamorphic and full frame, each sold separately.




Imaging Device
Full-Frame CMOS

Imaging Device Pixel Count
24.7M (total), 24.4M (effective)

Imaging Device Size
36.2x24.1mm. 43.5mm (diagonal).

Built-In ND Filters
Clear, 0.3(1/2), 0.6(1/4), 0.9(1/8), 1.2(1/16), 1.5(1/32), 1.8(1/64), 2.1(1/128), 2.4(1/256)

ISO Sensitivity
ISO500

Lens Mount
PL Mount
E-mount (lever lock type, without supplied PL lens mount adaptor)

Latitude
15+ Stop

Select FPS*
Imager mode:

3.8K 16:9, 4K 17.9: 1-60FPS
4K 4:3: 1-48FPS
4K 6:5, 5.7K 16:9, 6K 17:9, 6K 1.85:1, 6K 2.39:1: 1-30FPS
6K 3:2: 1-24FPS

White Balance
2000~15000Kelvin and Green/Magenta adjust, AWB*

Gamma Curve
S-Log3

Recording Format (Video)
XAVC 4K Class480: 23.98p, 24p, 25p, 29.97p
XAVC 4K Class300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
XAVC QFHD Class480: 23.98p, 25p, 29.97p
XAVC QFHD Class300: 23.98p, 25p, 29.97p, 50p, 59.94p
MPEG HD422(1920x1080): 23.98p, 24p, 25p, 29.97p, 50i, 59.94i
HD ProRes 422HQ*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 60i
HD ProRes 422*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422 Proxy*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i

Recording Format (RAW/X-OCN) *required AXS-R7

RAW SQ:
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 25p, 29.97p, 50p, 59.94p

X-OCN ST/LT:
6K 3:2(6048 x 4032)*: 23.98p, 24p,
6K 2.39:1 (6048 x 2530)*: 23.98p, 24p, 25p, 29.97p
6K 1.85:1 (6048 x 3270)*: 23.98p, 24p, 25p, 29.97p
6K 17:9 (6048 x 3190)*: 23.98p, 24p, 25p, 29.97p
5.7K 16:9 (5672 x 3190)*: 23.98p, 25p, 29.97p
4K 6:5(4096x3432)*:23.98p, 24p, 25p, 29.97p
4K 4:3(4096x3024) :23.98p, 24p, 25p*, 29.97p*
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p

Recording Format (Audio)
LPCM 4ch , 24-bit 48-kHz

DC Input
XLR-type 4pin (male)

Battery DC Input
Square-shaped 5pin connector

DC Output
12V: Hirose 4pin x1
24V: Fischer 3pin x2

SDI Output
BNC×4, (12G, 3G, 1.5G-SDI)

HD MONI Output
BNCx1 (1.5G-SDI)

HDMI Output
Type A ×1

VF
LEMO 26pin

Audio Input
XLR-type 5pin (female) x1 (LINE/ AES/EBU / MIC / MIC+48V selectable)

Timecode Input
BNC x1

Genlock Input
BNC x1

AUX
LEMO 5pin (female) x1 (Timecode Output)

Remote*
8pin x1

Lens*
12pin x1

Lens Mount Hot Shoe
4pin x2, conforming to Cooke /i Intelligent Electronic Lens System

Network*
RJ-45 type x1, 10BASE-T, 100BASE-TX

USB
USB host, type-A x1

Headphone Output
Stereo mini jack x1

Speaker Output
Monaural

Media type
ExpressCard/34 slot×2
SD card slot ×1


Power Requirements
DC12V (11~17.0V)
DC24V (22~32.0V)

Operating Temperature
0 ~ 40?

Storage Temperature
-20??60?

Mass
Approx. 3.9kg (8lb 10oz) (without lens, handle, VF attachment expansion bottom plate and accessories)

Dimensions
133 x 159 x 172 mm (without protrusion)


* Firmware update required.

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